It was like a clog had just fell into place, and was also really struck by how the work I was making yesterday in a bad mood could relate to it all so much.
Here are my notes:
15.04.13 - anna busham lecture
Authorial practice.
Workshop on colour later.
Looks at feeling and mood and uses colour as a vehicle to communicate that.
Likes far harrowing subject matter.
Laura carlin - google.
Book on relationships on two levels working with Laura
Uses Colours to communicate feeling through shape and feelings and patterns.
Symbolic and abstract way of working along with a narrative and visual language.
Colour -
loved using colour, think about using it consciously,
Create a focal point, by using contrast by light and dark or colour.
Used colour to create a sense of scene.
Composition - sketch out something that feel right with the shapes and then develops from that.
Uses symbols to describe complex narrative.
Colours help you paint smells feelings thoughts
Miniature Indian painting - bright and harmonious colours.
Romance and nostalgia and sentimentality
Idealised world
Avoid what the norms are. - nature is not that clearly made.
Don't make the colours literal - think about seasons and times of day.
Editorial work -
does not make figurative work for controversial subject.
Works with lots of different roughs and then this organically turns into a final piece.
If the subject is boring work with colour and mark making.
Narrative approach - analogy of you can't work with the subject then make a story for it to work for you - let colour play an important role.
Authorial work -
Indian mythology
Cells that are happening. Your body as a visual thing.
Abstract pieces with little parts of narratives
Colours used to symbolises certain forces of nature - black static dead - red active dynamic - white - still pure
I know it might seem all jibberish but it really did make sense to me ha.
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